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Friday, October 17, 2003

Dull 'Texas Chainsaw Massacre' remake simply doesn't cut it

By WILLIAM ARNOLD
SEATTLE POST-INTELLIGENCER MOVIE CRITIC

It's hard to successfully remake a horror classic like "Invasion of the Body Snatchers" or "The Thing" because its essence, the thing that made it special, is 1) hard to put your finger on, 2) usually very much of its time, and 3) invariably dulled by the repetition of copycats.

  MOVIE REVIEW
 

THE TEXAS CHAINSAW MASSACRE

DIRECTOR: Marcus Nispel

CAST: Jessica Biel, Eric Balfour, Jonathan Tucker

RUNNING TIME: 98 minutes

RATING: R for horror violence/gore, language and drug content

WHERE: Bella Bottega 11, Cinema 17, Crossroads 8 Cinema, Everett 9, Factoria, Grand Cinemas, Issaquah 9, Longston Place 14, Marysville Cinema 14, Mountlake 9, Oak Tree, Pacific Place, Parkway Plaza 12, Renton Village, Varsity, Woodinville 12

GRADE: D

Erin flees in terror
See photo gallery.

This is definitely the case of "The Texas Chainsaw Massacre," which was no masterpiece but had a ghoulish, low-budget audacity and excitement that was new to the drive-in movies of 1974, and is nowhere to be found in this respectful but ponderous big-budget remake.

It's the same basic story of five teenagers who, driving through Texas with a load of pot they've smuggled over the Mexican border, pick up a disoriented woman hitchhiker who promptly pulls out a revolver and shoots herself in the mouth.

When they stop in the nearest small town to report the suicide, they're set upon by a family of in-bred crackers, including one crazed serial killer who runs his own slaughter house and keeps it supplied by means of his creative chainsaw.

Getting his first shot at a feature film, German commercial and video director Marcus Nispel has given the proceedings a desaturated, arty look and tried hard to be true to the original, retaining its early '70s period and many of its key sequences and effects.

But after three decades of "Halloween," "Friday the 13th" and "Scream" movies, the novelty is long gone. Efforts to expand the envelope of grotesquery make the film repulsive and suspenseless, and it sorely misses original director Tobe Hooper's grisly, wily sense of humor.

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