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Friday, October 7, 2005

Moral lesson loses the bet in gambling story

By WILLIAM ARNOLD
SEATTLE POST-INTELLIGENCER MOVIE CRITIC

The gambling drama, "Two for the Money," has a good cast, a lot of New York flash and color and half an eye on the 1961 classic "The Hustler." Yet it never quite adds up to anything. It's engaging enough while it's going on, but has little visceral impact or resonance.

  MOVIE REVIEW
 

TWO FOR THE MONEY

DIRECTOR: D.J. Caruso

CAST: Al Pacino, Matthew McConaughey,

Rene Russo

RUNNING TIME: 110 minutes

RATING: R for pervasive language,

a scene of sexuality and a violent act

GRADE: C+

LINKS/TRAILERS
· Official site

PHOTO GALLERY

*View all photos

Matthew McConaughey plays Brandon Lang, a former college football star who, after an injury ends his hopes of a pro career, puts his sports expertise to use working for a sweatshoplike, Las Vegas 900 number that picks potential winners of athletic contests.

He proves to be such an uncanny prophet -- he's right more than 80 percent of the time -- that he's soon recruited by a top New York sports-betting agency, where he comes under the wing of Walter Abrams (Al Pacino), its slovenly flamboyant, old-pro boss.

Walter gives Brandon a new image, teaches him the ins and outs of the $200 billion-a-year sports-betting biz, and watches as his protege becomes the phenomenon of the industry. But, as a character reminds Brandon midway through the movie, "The gambling gods are fickle."

It sounds like fun, and it often is. The production values are striking, the high-tech Damon Runyon world of modern sports gambling comes alive and McConaughey is charismatic and convincing as a Fast Eddie who takes a roller-coaster ride through it.

And, of course, Pacino is such an iconic, endlessly inventive movie actor that he'd be riveting in a film version of the Yellow Pages. His rages are hypnotic, his fatherly affection for Brandon is palpable and his performance is all pleasure.

But, beneath its fire, this movie fails to be a devastating, or even coherent, moral drama. At the fade-out, it's hard to figure out what Brandon's moral lesson is, other than that gambling is bad and it's dangerous to get cocky.

No doubt, a large part of the problem is in the script. But coming on the heels of director D.J. Caruso's two previous features ("The Salton Sea" and "Taking Lives"), its frustrating style over substance also seems to be very much in the man's career pattern.

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