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Friday, January 27, 2006

'Annapolis' founders in a sea of cliches

By SEAN AXMAKER
SPECIAL TO THE POST-INTELLIGENCER

James Franco, best known as Harry Osborne, Peter Parker's best friend in the "Spider-man" movies, is not your usual romantic lead. His big, rough features and bony brow give him a rough-and-tumble look, whether he's brooding or breaking into a goofy smile, and he's a natural at suggesting the emotions burning behind his eyes.

  MOVIE REVIEW
 

ANNAPOLIS

DIRECTOR: Justin Lin

CAST: James Franco, Tyrese Gibson, Jordana Brewster, Donnie Wahlberg

RUNNING TIME: 108 minutes

RATING: PG-13 for some violence, sexual content and language

WHERE: Alderwood 16, Bellevue Galleria 11, Cinema 17, Crossroads 8, Everett 9, Galaxy Monroe 12, Galaxy Tacoma 6, Gateway Movies 8, Issaquah 9, Kent Station, Longston Place 14, Marysville Cinema 14, Mountlake 9, Pacific Place, Parkway Plaza 12, Redmond Town Center, Renton Village, Woodinville 12

GRADE: C

LINKS/TRAILERS
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It makes him apt casting in this otherwise day-old rehash of "An Officer and a Gentleman," served up with a side of "Rocky."

Franco is the smoldering Jake Huard, a working-class kid who dreams of leaving the Annapolis shipyards to attend the Naval Academy across the bay. He's also an amateur boxer, which plays a central but largely symbolic role in his growth from scrappy, streetwise lone wolf to respected and respectful company man.

Tyrese Gibson is not merely the Marine veteran turned senior midshipman who is determined to wash Jake out, but the Annapolis boxing champ as well (can you see a showdown coming?). The fetching Jordana Brewster is largely window dressing as the spunky upperclassman and romantic interest who sees potential through Jake's rough-hewn manners and good looks.

The underdog story doesn't miss a cliche, even though it never figures out whether it's a boxing picture or a military drama. Even the obligatory basic-training montages are increasingly dominated by boxing workouts.

Director Justin Lin ("Better Luck Tomorrow") injects a little tension into the aggressively integrated cast and some flash to the fights, but never manages to find a single surprise in the script. This Hollywoodized naval drama is no adventure, it's just a job.

Sean Axmaker is a movie reviewer and freelance film writer based in Seattle. He can be reached via e-mail at seanax@hotmail.com.
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