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Friday, February 3, 2006

Odd that 'A Good Woman' could go so bad

By PAULA NECHAK
SPECIAL TO THE P-I

Oscar Wilde's wit is in abundance in director Mike Barker's version of "Lady Windermere's Fan," but that's about it.

  MOVIE REVIEW
 

A GOOD WOMAN

DIRECTOR: Mike Barker

CAST: Helen Hunt, Scarlett Johansson, Tom Wilkinson

RUNNING TIME: 93 minutes

RATING: PG for sexual innuendo, thematic elements

WHERE: Metro

GRADE: C-

LINKS/TRAILERS
· Official site

PHOTO GALLERY

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The tale has been moved from Wilde's stuffy society of 1892 to a more permissive 1930, but that was hardly necessary what with all the gossipy and biased bitchery that drips from the characters' snooty noses.

Despite an exceptional cast -- Oscar-winner Helen Hunt, Oscar-nominee Tom Wilkinson and burgeoning star Scarlett Johansson -- the film never takes flight. "A Good Woman" was made in 2004 and that makes me wonder if it's only being released to capitalize on Johansson's move up the ranks.

She plays Meg Windermere, the proud and proper American wife of up-and-coming politician Robert Windermere (Mark Umbers). The couple's social circle includes Lord Augustus, or "Tuppy" (Wilkinson), and the gossipy Contessa Lucchino (a playful Milena Vukotic) as well as the predatory widow, Lady Plymdale (Wilkinson's real-life wife, Diana Hardcastle).

The arrival of two outsiders -- scheming playboy Lord Darlington (Stephen Campbell-Moore) and the "infamous and poor" American, Mrs. Erlynne (Hunt), who has slithered out of New York under a dark cloud of debt and affairs -- sets the stage for flirtation, scandal and revelations that prove people are not at all what they appear.

The script, by Howard Himelstein, doesn't do much except to yank the best of Wilde's words and string them into nearly absurd speeches. Do people really talk like this? I think not.

Hunt and Johansson, two usually good actresses, are vapidly awful, teetering out of their elements in this shakily drawn period piece. If the character of Mrs. Erlynne needs anything, it's some hint of mystery and a coy duplicitous nature that evolves into defiant, surprisingly honorable sacrifice; Hunt looks uncomfortable and embarrassingly out of her element. Johansson stumbles within her role as a naive girl who finds herself in over her head after she believes a rumor that affects her marriage.

Only Wilkinson gets it spot on, ascending above a movie that reeks of pedestrian amateur theatrical.

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