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Last updated May 15, 2008 2:17 p.m. PT

Is the Seattle International Film Festival finally bowing to critics who suggest Seattle's annual deluge of celluloid has simply become too large for human consumption and needs a cutback?
"Maybe," artistic director Carl Spence said, smiling, last month. "To a small degree. We know that some of you feel it's become too much."
Spence figures there will be 40 fewer feature films this year than last.
But the drop is mostly a result of "other factors," including the last-minute loss of SIFF's Eastside venue, the Lincoln Square Cinema in Bellevue.
It also may reflect the fact that, with its own SIFF Cinema now showcasing a steady stream of film programming, the festival has become a year-round event that doesn't really need to cram everything it wants to exhibit into three weeks of spring.
And though the reduction is significant -- nearly twice the 23-film offering of SIFF's 1976 inaugural edition -- those missing films hardly will be noticed in a lineup so voluminous it still represents America's largest and longest film event.
Indeed, the statistics of SIFF '08 remain staggering: 419 films representing 69 countries, screened in more than a dozen venues over 25 days, augmented by an abundance of personal appearances, forums, tributes and competitions.
How do you possibly take it all in?
The answer is that you can't. It's impossible for even the most dedicated festivalgoer to experience more than half of it. SIFF founder Darryl Macdonald said more than a decade ago (when his bookings first began to go into the triple digits) that the "idea of the new SIFF" is that it's "no longer a single film festival" but a "collection of film festivals."
Macdonald said the way to approach his daunting labyrinth of movie offerings was to search through the schedule; pick the genres, subjects, countries and filmmaker guests that interest you most, and "design your own festival."
With this in mind, here is how SIFF '08 breaks:
Ticket prices for each of these four glitzy premieres are higher than usual evening screenings but include admission to after-screening parties.
The festival's largest single grouping is a smorgasbord of films from foreign film industries around the globe -- most of which will not return later in the year for a theatrical run. This year, the cinema of no single country is being spotlighted, but France is particularly well represented, with more than 30 productions or co-productions. Some of the higher profile entries in this division are Germany's "Cherry Blossoms -- Hanami," directed by Doris Dorrie; Taiwan's "Island Etude," a lyrical coming-of-age drama directed by Chen Huai-en; Italy's "The Unknown Woman," a psychological thriller directed by Oscar-winner Giuseppe Tornatore ("Cinema Paradiso"); the British tragicomedy, "When Did You Last See Your Father," directed by Anand Tucker and starring Colin Firth; Jordan's "Captain Abu Raed," the nation's first domestically financed feature film in 50 years; and Poland's "Katyn," a holocaust drama directed by the legendary Andrzej Wajda that was nominated for last year's best foreign-language film Oscar.
The festival's domestic film offerings fall into three categories.
With more than 57 documentary features this year, SIFF continues its reign as one the world's great platforms for nonfiction filmmaking. The eclectic lineup includes "Stalags -- Holocaust and Pornography in Israel," an Israeli examination of a genre of eroticism that has been unaccountably popular in the country for decades; "Stranded: I've Come From a Plane That's Crashed on the Mountains," a French re-creation of one of the last century's most amazing survival stories; "Theater of War," a behind-the-scenes look at a stage production of Bertolt Brecht's "Mother Courage," starring Meryl Streep; and eight films slugging it out in the documentary competition, including Chuck Workman's "In Search of Kennedy" and "Derek," a Tilda Swinton-narrated memorial to British film director Derek Jarman.
The SIFF celebrity guest list is invariably long, with hundreds of eager filmmakers coming to town to promote their films and interact with the audience. At press time, this list was still being firmed up, but these are among the marquee names committed to appearances:
Also in the way of tributes is this SIFF tradition that honors "four directors poised to become the world's next cinematic masters." SIFF will show two films -- one new, one old -- from each director. This year's honorees, who are expected but not guaranteed to attend their celebrations, are:
This year's archival offerings include:
The visibility of locally made films has been steadily rising over the past few editions of SIFF. This year's lineup showcases no less than 11 homegrown films, including the futuristic social satire "Visioneers"; the world premiere of Cornelia Moore's Orcas Island drama, "The Dark Horse"; Rufus Williams' Seattle-filmed psychological thriller, "Butterfly Dreaming"; and six local documentaries, including John Andres' "Creative Nature," a study of Seattle glass artist William Morris; Linus Phillips' "Great Speeches From a Dying World," an unusual look at 10 of Seattle's homeless; and Melissa Young's "Good Food," billed as a "lively tour of various Washington state farms and ranches that have adopted healthier organic methods in raising their products."
This category groups nine feature and 13 short avant-garde films from around the world that have been deemed too hard-edged, too non-linear or too weird for the regular program. The offerings -- many presented in the smaller and more philosophically friendly confines of Capitol Hill's Northwest Film Forum -- include the North American premiere of the Czech Republic's "Movie, or an Introduction to the Philosophy of Auteur Filmmaking;" the U.S. premiere of Hungary's "Milky Way;" an Austrian pro-sex feminist documentary, "Who's Afraid of Kathy Acker;" an Italian social study, "We Want Roses Too;" Haiti's surrealistic "Eat, for This Is My Body"; and the Swedish dark comedy "You, the Living."
Special juries will divide a $20,000 purse among winning films competing in the fields of new American cinema, documentaries, the new directors showcase and short films.
In SIFF Interactive's new MyFestival feature, audience members can watch a group of competing movies in a "free, secure streaming environment" and cast their votes for a cash prize: $1,500 for the best feature, $500 for the best short.
A moviegoer poll will determine who gets the coveted Golden Space Needle Awards in the categories of best film, documentary, director, actor, actress and short. All winners will be announced closing night.
Benaroya Hall
200 University St.
206-215-4800
Cinerama
2100 Fourth Ave.
206-441-3080
Egyptian
805 E. Pine St.
206-781-5755
Harvard Exit
807 E. Roy St.
206-781-5755
Moore Theatre
1932 Second Ave.
206-467-5510
Northwest Film Forum
1515 12th Ave.
206-267-5380
Pacific Place
600 Pine St.
206-652-2404
SIFF Cinema at McCaw Hall
Seattle Center, 321 Mercer St.
206-324-9996
Triple Door
216 Union St.
206-838-4333
Uptown
511 Queen Anne Ave. N.
206-285-1022

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